History
September 2021 Berlin, Germany — Pierre Boulez Saal *World premiere
November 2022 Vancouver, BC — Modulus Festival *Canadian Premiere
October 2023 Rimouski, QC — Tour de bras
June 2024 Novara Jazz Festival — Novarra, Italy
November 2024 Basel, Switzerland — Veranstaltungsraum
June 2025 Hamilton, ON— Something Else Festival
Ottawa Jazz Festival — National Arts Centre
Montreal, QC — Suoni Per Il Popolo Festival
September 2026 Guelph, ON — Guelph Jazz Festival
In 2019, Piotr Turkievicz, Artistic Director of Jazz and Improvised Music at Berlin’s Pierre Boulez Saal, commissioned me to compose a full evening work for creative musicians entitled The Secret Lives of Color. The work takes its inspiration from a book by British author and journalist Kassia St. Clair that reveals the rich stories of color, unearthing facts about their origins, social conditions that brought them to our culture, and their connection to the art world. My goal is to create music that is evocative of these stories, conveying the irrepressible moods and imagery these colors suggest, and making poetic associations between the symbiotic worlds of color and sound.
The musical personnel selected varies greatly for each performance of The Secret Lives of Color. The ensemble is composed of some long-time collaborators, leading international figures active on the creative music scene today, along with musicians I’ve had the desire to collaborate with but never had the opportunity to do so.
Past performers
CORE ENSEMBLE (2024 - present)
François Houle (CAN) — clarinet, basset clarinet, composition
Joëlle Léandre (FRA) — bass
Myra Melford (USA) — piano
Gerry Hemingway (USA/SUI) — percussion
Gordon Grdina (CAN) — guitar/oud
BERLIN (2021) - (World Premiere/première mondiale)
François Houle (CAN) — clarinet/clarinette, basset clarinet/clarinette de basset, composition
Hamid Drake (USA/Italy) — percussion
Gordon Grdina (CAN) — guitar/guitare/oud
Joëlle Léandre (FRA) — bass/contrebasse
Myra Melford (USA) — piano
VANCOUVER (2022) - (Canadian Premiere/première Canadienne)
François Houle (CAN) — clarinet/clarinette, basset clarinet/clarinette de basset, composition
Alexander Hawkins (UK) — piano
Kate Gentile (USA) — drums
Joëlle Léandre (FRA) — bass/contrebasse
Gordon Grdina (CAN) — guitar/guitare/oud
Hamin Honari (CAN) — percussion
RIMOUSKI (2023)
François Houle (CAN) — clarinet/clarinette, basset clarinet/clarinette de basset, composition
Eric Normand (CAN) — electric bass/basse électrique
Clarisse Beriault (CAN) — oboe/hautbois
Tom Jacques (CAN) — vibraphone
François Landry (CAN) — guitar/guitare
Kalun Leung (CAN) — trombone
Jean René (CAN) — viola/alto
BASEL/Bâle — Switzerland/Suisse(2024)
François Houle (CAN) — clarinet/clarinette, basset clarinet/clarinette de basset, composition
Marco von Orelli (SUI - Basel) — cornet, trumpet/cornet, trompette
Gordon Grdina (CAN) — guitar/guitare/oud
'Andrea Grossi (ITA) — bass/contrebasse
Tibor Elekes (SUI - Basel) — bass/contrebasse
Tatiana Timonina (RUS/Basel) — flutes
Gerry Hemingway (USA/SUI) — percussion
Pio Schürmann (SUI - Basel) — piano
Eva-Maria Karbacher (SUI - Basel) — Tenor Sax/saxophone ténor
The music score for this project represents the culmination of years of detailed research and professional development initiatives in areas of composition techniques, extended instrumental techniques, graphic design, technology and collaborative multi-media. I am using Sibelius music notation software as a tool to export graphic data to Adobe Illustrator and other graphic apps to “illuminate” the music with original images, colors, text, and vector graphic objects. This process allows me to fully integrate and/or transform traditional music notation into icons for musical graphic notation.
The live recording of the concerts will be released as a digital album on my Bandcamp label, Afterday Audio.
